Category: Class Handouts


Zill Pattern Drill

Here are the breakdowns for all of the additional zill patterns in the Level 2 Tribal vocabulary, strung together into a handy drill!

Note: “B” indicates to strike both zills simultaneously.

Quarter Notes

1   &   2   &   3   &   4   &   1   &   2   &   3   &   4   &  
R       R       R       R       R       R       R       R      

Eighth Notes

1   &   2   &   3   &   4   &   1   &   2   &   3   &   4   &  
R   L   R   L   R   L   R   L   R   L   R   L   R   L   R   R L

SLINK FWD DROP BACK:

Gallop/Longa – Downbeat

1   &   2   &   3   &   4   &   1   &   2   &   3   &   4   &  
R   R L R   R L R   R L R   R L R   R L R   R L R   R L R   R  

Gallop/Longa – Upbeat

1   &   2   &   3   &   4   &   1   &   2   &   3   &   4   &  
R L R   R L R   R L R   R L R   R L R   R L R   R L R   R   R L

ARABIC SPIN:

3-7-3

1   &   2   &   3   &   4   &   1   &   2   &   3   &   4   &  
R   R L R L R L R   R L R   R L R   R L R L R L R   R L R   R L

ARABIC CHEST DROP PATTERN:

1   &   2   &   3   &   4   &   1   &   2   &   3   &   4   &  
R           R L R           R L R       B   R   B   R   B      

KIHARA TWIST:

5-5-5

1   &   2   &   3   &   4   &   1   &   2   &   3   &   4   &  
R L R L R       R L R L R       R L R L R       R L R L R   R L

EGYPTIAN 3-STEP TURN:

3-11

1   &   2   &   3   &   4   &   1   &   2   &   3   &   4   &  
R   R L R L R L R L R L R   R L R   R L R L R L R L R L R   R L

EGYPTIAN VARIATION:

3-5-1-3

1   &   2   &   3   &   4   &   1   &   2   &   3   &   4   &  
R   R L R L R   R   R L R   R L R   R L R L R   R   R L R   R L

UP UP DOWN DOWN:

3-3-7

1   &   2   &   3   &   4   &   1   &   2   &   3   &   4   &  
R   R L R   R L R L R L R   R L R   R L R   R L R L R L R      

…Repeat…

Zill Variation Handout – Arabic Chest Drop

In the Shambling Shimmies Level 2 Tribal vocabulary, this movement has an alternate zill pattern.

See the Level 1 cues & variations handout that includes the Arabic Chest Drop for information on the movement itself.

Classification: Fast

No changes in the move from L1 to L2.  Only Changes are the Zill Pattern

Zills/Timing:

Timing – 8 count move

Zill Pattern – Gallop/Longa ending on the down beat on the 1, 3, and 5 … then B, R, B, R, B on 6 & 7 & 8 to accent the chest drop.

Zill Pattern / Move Timing Broken Down –

1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
R R L R R L R R L R R L R R L R R L R R L R R L
Standard Arabic … Preceding Move … BALL Cue- hands palms down
FLATARMS DOWN BALL BALLARMS UP BALL FLATARMS DOWN BALL BALLARMS UP

 

1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
R R L R R L R B R B R B R L
FLAT BALL FLAT BALL FLAT DROP  (up) DROP   (up) DROP    (up/CUE Next)

Cues & Variations Handout – Ansuya

This movement is part of the Shambling Shimmies Level 2 Tribal vocabulary.

ANSUYA

Classification: Slow

Basic Cue:

  • Typically cued out of maya, cue is lifting the left arm (elbow first) and the right hip.

Variations:

  • Can be done on knees (entire move) or kneeling (upper body only)

Cues & Variations Handout – Hairball Combo

This movement is part of the Shambling Shimmies Level 2 vocabulary.

HAIRBALL COMBO

Classification:  Slow

Basic Cue:

Cued out of Body Roll.  2 repetitions of Body Roll w/ arms in standard position, look down and slowly begin roll up.

Variations:  None.

Notes:

  • Follow movement of Reverse Body Roll w/ your eyes all the way out through the extension of the final pose.
  • The final pose is not too far off from the cue for a torso rotation, which can be a nice way to move back into center for other movements.
  • Since the movement is very slow, it is also easy to move into various poses from the ending pose of the hairball combo.
  • This move can also be cued by the current leader whenever the formation is facing away from the front.  This can be used to take advantage of situations where there is a group of people in the audience off to one side, for example.

Cues & Variations Handout – Arabic Spin

Shambling Shimmies L2 Group Vocabulary

ARABIC SPIN

Classification:  Fast

Basic Cue:  Cued from Arabic on ball w/ standard arm position (Arabic 2).  Cue by crossing arms at forearms overhead (palms facing each other), coming down on flat, and turning  head.

Variations:  None

Zills/Timing:  Timing – 4 count move

Zill Pattern:  3,7,3 (RLR  RLRLRLR  RLR)

Zill Pattern / Move Timing Broken Down:

4 i & a 1 i & a 2 i & a 3 i & a 4 i & a
R R L R R L R L R L R R L R R L
Ball Flat Ball Ball Ball
CUE Arms swoop around spin occurs Back in position

 

 

Cues & Variations Handout – Sahra Turn

Shambling Shimmies L2 Group Vocabulary

SAHRA TURN

Classification: Slow

Basic Cue: Cue is a floreo sequence – 5th, 3rd R, 5th, 3rd L, 5th, 3rd R – followed by a wrist lift.

Variations:

  • The ending pose can be deepened depending on the flexibility / skill level of the dancer(s).  *Try not to lead the pose deeper than other dancers in the formation are capable of harmonizing with*
  • Level … the ending pose can be brought down into a floor (lunge) level with a standard level cue (slight rise and then a slow drop onto the knee).  You would typically come out of the move and then switch to something else before rising again.

CHANGING LEAD

In a group dance format like tribal belly dance, changing up the lead is very important.  The shifting of the formation is visually interesting, and the variations in interpretation of the music from each leader will also add interest.  (Everyone has a few favorite moves that they tend to choose often, so if one person leads the whole song, you may not get as much variation in moves as you will get if multiple dancers take turns leading.)

FADING

Cue:

  • Leader will begin to move backwards with any traveling move.

Variations:

  • Within a few steps (especially if the formation has previously traveled forward), the second row has the option of following the leader in traveling backwards (if there is room), but after a few steps, the second row must come forward (the person who determines when the second row comes forward is the person on stage left – who would end up being the new leader after the lines switch).
  • Duets fade as usual AND then switch sides so that the new leader is on the left.

CIRCLING

Cue into the circle:

  • Leader will begin whatever move they wish to circle in and then do a quick, un-cued half turn to the right to face the rest of the formation.
  • Everyone will make eye contact, back up slightly to prepare, and then begin moving in a circle on the next downbeat.

Cue to take the lead:

  • New Leader will yip as they approach the front left corner of the stage (or performance area) and turn away from the chorus to face the audience.
  • Everyone else will fall into standard formation (they should already be very close to their positions).

Variations:

  • If the circle goes around once or twice and no one has taken the lead, someone should cue to take it back to the chorus.
  • See circle guidelines for options, guidelines, and cues for other things to be done in the circle rather than proceeding straight to another leader.

NOTES

  • To keep performances interesting, leaders should (as a general rule) keep their time short and then pass off the lead to others.
  • It is always a good idea to know who is behind you and next in line to take the lead to avoid passing it off to someone who you know is uncomfortable leading (in performance).
  • If you are uncomfortable leading (or your mind just goes blank) you can always just fade back or go into a circle.
  • It is important for EVERYONE who performs outside of the chorus to understand how to change leads (including how to cue).

Cues & Variations Handout – Turkish Shimmy

Shambling Shimmies L2 Group Vocabulary

TURKISH SHIMMY

Classification:  Fast

Basic Cue:

Bring arms into second (nice and high and curved, palms down/back), body angled to left.  Step forward (flat) w/ ¾ shimmy.

Variations:

  • Turns
    • ¼ turns… cue w/ head turn (optional double yip), one set of ¼ turns to sides (arms facing sides, body facing corners)
    • ½ turns… cue w/ ‘yip’ on ‘1’ and bring each hand all the way in to chest, 2 sets of ½ turns
  •             Teenager
    • Cue by bringing arms down to sides on ‘1’

Zills/Timing:

  • Timing – 4 count move (Teenager variation = 16 count move)
  • Zill Pattern – Standard Gallop/Longa (RLR) on the downbeat
  • Zill Pattern / Move Timing Broken Down –
1   &   2   &   3   &   4   &  
R   R L R   R L R   R L R   R L
R foot Fwd L foot (in place) R food Back L foot (in place)